Artist Profile

Work of the Week: "Wild Rose" by Annora Brown

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This week's Work of the Week is "Wild Rose" by Annora Brown.

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What’s in a name? That which we call a rose by any other word would smell as sweet.
 

~ William Shakespeare, Romeo and Juliet

Today is Shakespeare’s 457th birthday! To celebrate, this week’s Work of the Week pays homage to an iconic flower mentioned in one of the most famous lines from one of Shakespeare’s most famous plays. Please enjoy Wild Rose by Annora Brown.

Did you know: April 23 is also the day of Shakespeare’s death in 1616?

Need more Shakespeare? Organizers of Edmonton’s Freewill Shakespeare Festival are currently planning this year’s iteration with two plays – Much Ado About Nothing and Macbeth. Get more information on these productions here:  www.freewillshakespeare.com/shows.

About the Artist: Annora Brown (1899 - 1987)

Annora Brown's father was a member of the North West Mounted Police, and her mother was one of Fort Macleod's first schoolteachers.

As a child her mother had encouraged her to draw and paint. She attended Normal school in Calgary, and when she graduated she took a job teaching in a rural school. While on a visit to her aunt in Toronto in 1925 she decided to apply to study art at the Ontario College of Art. She was accepted and began her studies under well-known Canadian artists, Arthur Lismer and J.E.H. MacDonald. One of her classmates was another Albertan, Euphemia McNaught.

After she moved back to Alberta she taught art at Mount Royal College in Calgary from 1929 to 1931. In 1931 she returned to Fort Macleod to look after her ailing mother. While in Fort Macleod she gave art classes in rural Southern Alberta for the Department of Extension of the University of Alberta.

She exhibited with the Alberta Society of Artists in 1931 at the Calgary Exhibition and Stampede even though, at the time, women were not members of that organization. However, in order to comply with the regulations of the Societies Act of Alberta, the A.S.A could not legally exclude women and so she became the first female member of that organization, albeit a token one. She resigned in 1936.

From 1945 to 1950, she taught at the Banff School of Fine Arts. She was a member of the Calgary Sketch Club, an active member of the Handicraft Guild in Fort Macleod, and an Honourary member of the Alberta Handicraft Guild.

In 1971 she received an Honourary Doctor of Laws, Honoris Causa, from the University of Lethbridge. In 1965, she moved to Sidney, British Columbia on Vancouver Island where she continued to paint until her death in 1987.

Working mainly in oils, tempera and watercolour, she is best known for her paintings and drawings of the flowers and plants of southern Alberta, as well as paintings inspired by Indigenous legends. She illustrated many magazines and produced more than 600 images for nearly a dozen books. She was commissioned by the Glenbow Foundation to paint 200 pictures of different Alberta wildflowers, a project that took her over three years to complete. She designed a stained glass window for Christ Church in Fort Macleod and a mural for Crescent Heights High School in Calgary.

She was also an author, and in 1955 she published An Old Man's Garden a series of legends and stories associated with the flowers in the area drained by the Oldman River in Southern Alberta. Following this she published the autobiographical Sketches of Life. Her work is included in many public and private collections, and she received many national and provincial awards, prizes and honours.
 

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Artist
Annora Brown
Title
WILD ROSE
Year
n.d.
Medium
watercolour on paper
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Work of the Week: World Art Day

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We profile "World enough, and time" by Ken Macklin to help celebrate World Art Day on April 15.

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Every year on April 15, World Art Day celebrates artistic creativity and promotes taking part in art. 
 

"World enough, and time" by Ken Macklin is a meditation on the simultaneous nature of time. A skyward reaching column supports three spheres, representing the historic past, the complex present, and our collective hopes and dreams for the future.

  • Translated into emotive colour, the past is expressed through earth tones that evoke the quietude and strength of the natural environment.
  • The present is expressed through maroon-red and green, evoking the present concern for the environment, as well as denim blue to symbolize manual labour.
  • The future, reaching towards both hope for humanity and awe for the greater context of the cosmos, is expressed through rich black, grey, blue, and silver.

As part of Canada's 150th anniversary, The Works International Visual Arts Society's Art & Design in Public Places Program (The Places) commissioned five original landmark sculptures along Capital Boulevard which lead to the Alberta legislature. This Project was made possible in part by the Government of Canada, with matching investments from partners: the Alberta Foundation for the Arts (AFA), and the City of Edmonton; and support from the Downtown Business Association, and The Works Society. In addition, all five sculptures were acquired as part of the AFA Art Collection.

If you are in Edmonton, we encourage you to check out and marvel at the sculpture on Site 5, 108 Street between 103 Avenue and 104 Avenue. (You can also view it online using the button below.)

About the Artist:

Ken Macklin is one of several constructivist sculptors who emerged in Edmonton during the 1980s. Macklin earned his Bachelor of Fine Arts with Distinction from the University of Alberta in 1978 and studied advanced sculpture at St. Martins School of Art in London, England in 1979/80. He has exhibited both nationally and internationally, and has received numerous awards for his work. Macklin is renowned for the creation of large-scale, abstract sculptures.

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The dark grey steel column sculpture supports three spirals. Each spiral steel with woven wire mesh has different colors - grey, blue and orange, red and green.

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Work of the Week: World Art Day
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We profile "World enough, and time" by Ken Macklin to help celebrate World Art Day on April 15.

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Work of the Week: World Art Day
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We profile "World enough, and time" by Ken Macklin to help celebrate World Art Day on April 15.

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Ken Macklin
Title
World, Enough and time
Year
2017
Medium
welded steel, woven wire mesh, galvanized aircraft cable
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Work of the Week: Gag by Carissa Baktay

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Did you know the AFA Art Collection includes contemporary sculpture? Check out this example in Work of the Week.

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This artwork combines horse hair and glass to create a form that suggests a pill and something flowing out from it.
 

The artist was inspired by the connection between the two materials: both fragile and fine, but also strong and functional. Echoing one another aesthetically, this partnership inspired her in new ways of looking at ancient materials.

Through its use of organic and traditional materials, this work hints at the human form, beauty, and the pharmaceutical industry .

About the artist

Carissa Baktay is a sculptor from Calgary, currently working between Canada and Iceland. Working with glass since 2008, Carissa earned a Bachelor of Fine Arts in Glass from the Alberta University of the Arts (formerly the Alberta College of Art & Design), studied at the Rhode Island School of Design and received her Master in Glass Art and Science from VICARTE Research Unit (Vidro e Cerâmica para as Artes - glass and ceramics for the arts) in Portugal.

She has participated in Snow and Ice sculpting residencies in Norway, was accepted to the 2011/2012 Living Arts Center Fellowship in Glass, and has attended multiple residencies in Iceland, Finland and Norway. Her work has been featured in exhibitions and publications in Canada and internationally.

Carissa was an AFA grant recipient in 2018-19 for the Visual Arts and New Media Individual Project Funding. Also, she was successful in having her artwork acquired through the Art Acquisitions by Application program in 2021 to be part of AFA Art Collection, which will help increase the visibility of her artwork throughout the province, including through Work of the Week.

Art Acquisitions by Application

Did you know that Albertan artists can apply to have their artwork acquired by the AFA through the Art Acquisitions by Application program?

The next deadline is April 1! Review the guidelines if you’re interested in submitting your artwork to have it be considered for acquisition.

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The sculpture is a white rounded spherocylinder capsule shaped like a pill attached to a white wall. Long black hair flows approximately two-thirds down out of the capsule. In the background is the grey shadow of the hair and capsule on the wall. 

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Work of the Week: Gag by Carissa Baktay
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Did you know the AFA Art Collection includes contemporary sculpture? Check out this example in Work of the Week.

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Work of the Week: Gag by Carissa Baktay
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Did you know the AFA Art Collection includes contemporary sculpture? Check out this example in Work of the Week.

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Carissa Baktay
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Carissa Baktay
Title
Gag
Year
2021
Medium
horse hair on blown glass
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Work of the Week: Conquered Mountain by John K. Esler

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Featured artwork from the Collection of the Alberta Foundation for the Arts: Conquered Mountain by John K. Esler and showcased at TREX - NW Alberta

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The Conquered Mountain print was acquired by purchase from the artist in 1973. There were six prints acquired from the artist at this time 1973.003.001 – 1973.003.006. These were very early acquisitions into the AFA collection as they were acquired in March 1973 and the art collection was formed in September 1972. We can't wait to celebrate AFA's Art Collection 50th anniversary.
 

The artist created a constructed painting with a similar title in 1991, Clearcut: Conquered Mountain – revisiting the theme of man’s intervention on nature and essentially creating a “manufactured landscape”. The AFA acquired the painting in 1995.

Travelling Exhibition 

Curated for the AFA's Travelling Exhibition Program (TREX) by The Art Gallery of Grande Prairie - Northwest AlbertaConquered Mountain is currently on display in its "Fantastic Worlds" exhibit until March 27, 2022.

  • TREX strives to ensure every Albertan is provided the opportunity to enjoy fully developed exhibitions in schools, libraries, health care centres and smaller rural institutions and galleries throughout the province

We welcome you to view it through the AFA's Virtual Museum or see it in person at the Art Gallery of Grande Prairie.

About the artist

John K. Esler is well-known in the Calgary arts community and has helped to raise the profile of printmaking in the province.

He taught at the University of Calgary in 1968 until the 1980s. He encouraged his students to experiment, to make art with a mind open to unexpected possibilities.

His artwork is exhibited widely throughout Canada and abroad and he is represented in many public and private collections, including the AFA Art Collection.

Art Acquisitions by Application

Did you know that Albertan artists can apply to have their artwork acquired by the AFA through the Art Acquisitions by Application program?

The next deadline is April 1! Review the guidelines if you’re interested in submitting your artwork to have it be considered for acquisition.

Image description

The abstract etching printed on paper is split into two halves: on the bottom half, various squares and rectangles in tones of yellow, grey and black are squeezed into a forced perspective that creates a path towards the bluish green mountains on the top half. The grey mountain tops are sutured to the top of the image by criss-cross black strings.

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Work of the Week - Conquered Mountain by John K. Esler
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Featured artwork from the Collection of the Alberta Foundation for the Arts: Conquered Mountain by John K. Esler and showcased at TREX - NW Alberta

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Featured artwork from the Collection of the Alberta Foundation for the Arts: Conquered Mountain by John K. Esler and showcased at TREX - NW Alberta

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John K. Esler
Title
Conquered Mountain
Year
1973
Medium
etching on paper
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Work of the Week: Strange Jury #2 by Dwayne Martineau

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Work of the Week invites you to explore the unnoticed world of nature and to challenge our perspectives.

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Strange Jury #2 asks the viewer to challenge their perspectives by seeing nature through a different lens. The artwork is intended to depict a trial in the forest. The viewer is the defendant. The jury is Nature.

This artwork is part of a series of five works. When installed in a gallery, five giant prints are hung in a circle off the ground to depict five characters of the forest with animistic faces. The AFA acquired one of these prints through the Art Acquisitions by Application to be a part of the AFA Art Collection.
 

About the artist

Dwayne Martineau is an Edmonton based visual artist and musician. He is a treaty member of Frog Lake First Nation, descended from Plains Cree, Métis, and early French and Scottish settlers.

He enjoys seeing the world like a child full of discovery. Also, he approaches the world with a critical mind, seeking both truth and wonder. His visual arts practice began with experimental landscape photography, and has evolved to include videography and immersive large-scale art installations.

Art Acquisitions by Application

The next deadline for the AFA’s Art Acquisition by Application program is April 1! Read the guidelines if you’re interested in submitting your artwork to have it be considered for acquisition to the AFA Art Collection.

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The artwork is an abstracted photograph on backlit film that suggests an animistic creature in a forest. A black, insect-like face with large antennae floats on a faded yellow background, with black trees and bushes in the background. 

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Dwayne Martineau
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Strange Jury
Year
2021
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Work of the Week celebrates Lunar New Year

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This week's Work of the Week is "Fortune Cookie" by Peter Greendale

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Did you know Lunar New Year is celebrated by various cultures including Chinese, Korean, Vietnamese, and other East and Southeast Asian cultures? Every year, the date changes depending on the first new moon to mark the new year. 
 

While each culture and ethnicity celebrates with differing foods, duration and traditions, each culture shares the same goal of reunion and well wishes of prosperity for the coming year. We hope the Year of the Tiger brings you a year full of good health, success and happiness!
 

About the artist:

Peter Greendale started his residency at the Banff Centre in 1984/85. He is inspired by the common everyday object and the culture's origin.

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This week's Work of the Week is "Fortune Cookie" by Peter Greendale

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Work of the Week celebrates Lunar New Year
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This week's Work of the Week is "Fortune Cookie" by Peter Greendale

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Peter Greendale
Title
Fortune Cookie
Year
1994
Medium
charcoal on paper
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Peter Greendale
Fortune Cookie
1994
charcoal